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This makes the movie not only personal but warm, heartfelt and one that is told by those who loved him most.Īlthough honest, the one main difference between the film and real life events is that the audience are in on the joke. Jerry Lawler plays himself, David Letterman plays himself etc etc. The whole cast of Taxi play themselves with the exception of Danny DeVito who cannot as he is already producing the film and playing George Shapiro (one of the main parts). Not only that, but for the most part playing themselves in the film. Probably due to most of the cast knowing Andy personally. At least for the members of the audience who were previously unaware of Andy Kaufman. In the end, it's not the film you thought it was going to be. The movie sets the tone of the film early on and completely changes from around the half way mark - in line with the discovery of his disease. The audience follow Andy's life from his early childhood to his death from lung cancer. Man On The Moon is a comedy/drama about the life and unconventional comedy of Andy Kaufman. This is a marvelous comedy with plenty of memorable moments. If you look up some of Kaufmann's stunts they're identical as to how they are portrayed in the film. Despite not everything being factual, what was an actual occurrence was shown in a highly realistic and accurate sense. Woody Allen must have thought so since he casted DeVito as a comedians agent four years later. Danny DeVito also plays a common role for himself, but he did his job. Jim Carrey, was an obvious choice, (despite this not being a break out role for him) he did an excellent job portraying Andy Kaufmann. The film has plenty of golden moments, and I can't say I'd remove or even cut down any scenes if I was in Milo's Formans position. What this film does tremendously is it keeps you guessing on what's a goof and what's not until the end. I've heard of Kaufmann before, but not being alive during his era I never knew who he was as a performer.
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If you find yourself misting up at the end, you don't have to feel you've been duped.Man on the Moon is a stunning biopic on the adult life of Andy Kaufmann.
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It's intimate and honest, and it sticks to the ribs. One senses that the film's makers were aware of its unpromising commercial prospects - no big stars, no big car crashes, no special effects - and consciously decided to make the best possible movie, box office be damned. Waterston is also very fine, even if he has to spend much of the movie climbing in and out of the family truck. In particular, Witherspoon is excellent: Her line readings are fresh and original, and her body language is just right for a gawky, hoydenish 14-year-old on the eve of womanhood. Even the below-A-list casting helps: Bigger movie stars with more recognizable personalities might have overwhelmed the material. Nothing's forced, every line has feeling, and the pacing is just right. Otherwise, it's done with rare emotional perfect-pitch. It's a generic coming-of-age story - think "The Member of the Wedding," "Summer of '42," "A Summer Place," even "Little Women" - and there are moments where Mulligan might have omitted the soupy music, not used slow-motion, or played down the golden-lit prettiness of the setting.